Barbara Prey

MASS MoCA unveils the world's largest watercolor painting (May 28, 2017)

Smithsonian  ||  The Story Behind the World’s Largest Watercolor Painting; "Watercolors are among the least forgiving mediums for artists to work with ... still, when <MASS MoCA> approached celebrated contemporary painter Barbara Prey about creating what would become the largest known watercolor painting in the world to celebrate the opening of Building 6, its newest wing located in North Adams, Massachusetts, she was up for the challenge." June 22, 2017

artnet News  ||  Mass MoCA Just Became One of America’s Largest Museums; "The architects also opened up double height spaces to accommodate the light-based works of James Turrell. Also on view will be Barbara Prey’s massive 8 ft. x 15 ft. specially commissioned watercolor depicting the space in its original pre-renovations state, thought to be the largest watercolor in the world, and described by <museum director Joseph> Thompson as a “technical tour de force.” May 19, 2017

VICE  ||  The World's Largest Watercolor Goes on Display at MASS MoCA; "An unusual (but quite interesting) commission to say the least, the painting is something of a cultural preservation of an older America. ... Prey's painting, the result of a two-year endeavor beginning in 2015, is also notable for a variety of reasons beyond offering a historical slice of an iconic building. For starters, Building 6 Portrait: Interior is quite literally the largest-known watercolor painting ever created in terms of total square footage. Its sheer size is more than just visual grandeur; it's also an incredibly technically challenging feat to accomplish, considering how watercolor dries much quicker than other forms of painting, and how mistakes are near-impossible to cover up in this particular medium." May 30, 2017

Hyperallergic  ||  Required Reading; "This week, the world’s largest watercolor painting, the bedcover Rauschenberg stole, the language of autocrats, Crapumenta, Apple’s new HQ, and more.” May 21, 2017

artnet News  ||  There’s Only One Visual Artist on the NEA’s Board. Here’s What She Thinks of the Imperiled Organization’s Future."Working primarily in the unforgiving medium of watercolor, Prey built a career by selling her delicately composed works of landscapes, seascapes, and various scenes of American life to the US government and high profile private collectors including Orlando Bloom and Tom Hanks. Her works hang in over 100 US embassies around the world. She is one of only two living female artists who has work in the White House permanent collection, and has been commissioned by NASA on numerous occasions. Recently Prey was commissioned by MASS MoCA to create a monumental watercolor—said to be the world’s largest—for the museum’s newly inaugurated Building 6. The completed work hangs at the museum alongside works by Louise Bourgeois and Robert Rauschenberg." Aug. 16, 2017

Natalie White

A Muse Me at Bill Brady Miami (April 14 - May 13, 2017)

Playboy  ||  Feature: Art Provocateur Natalie White is Harnessing Her Sexuality for Equal Rights; May/June 2017 issue (print), April 19, 2017 (online)

Blouin Artinfo  ||  Natalie White at Bill Brady, Miami; "The exhibition <features> 14 nude self-portraits created with the iconic 20 x 24-inch Polaroid camera from 1978. White’s practice embraces a cross-generational reverence for late-20th century American art and culture. Captured through the Polaroid’s distinctively retro process and aesthetic, with only the artist in the frame, these works appear as though they could have been made 40 years ago. White’s use of double exposures produces a translucent overlay effect in the images, making it look as though she’s interacting with an identical twin. The result is a mysterious take on the idea of intimacy—between two people, or, perhaps, with ourselves." May 1, 2017

VICE  ||  Arrested for Her Art, an Activist Artist Shows Enormous Nude Polaroids; "The polaroids are vibrant and evocative, at once engaging the viewer in White's own self-narrative. Her use of multiple exposures allows for an almost voyeuristic view of her inner dialogue.” May 13, 2017

ARTnews  ||  Pictures at an Exhibition: Natalie White at Bill Brady, Miami; "The solo exhibition presents 14 large-format Polaroid self-portraits by the artist, a former muse and model to various male photographers." April 25, 2017

Miami New Times  ||  Natalie White, Former Model for Male Artists, Takes Control of the Camera; "In the age of the self-centered selfie, Natalie White’s self-portrait nudes are anything but. The muse to many art and fashion luminaries has turned the camera lens on herself in "A Muse Me," featuring 14 large-format (20 inches by 24 inches) Polaroids created with the same 1978 kit as self-portraiture pioneers Andy Warhol and Chuck Close." April 28, 2017

Whitewall  ||  Natalie White Takes Control of Her Image in A Muse Me; "White began modeling for artists like Will Cotton, George Condo, and Peter Beard, traveling internationally at a young age. She got tired of being dismissed for her role in the process of what really were mutual collaborations ... As she told us, “Being my own muse put me in control.” And that self-reliance as a woman felt comfortable for her; it put her at ease. White has since garnered a reputation as a provocative feminist artist," April 28, 2017

Straddling the line between activism and performance art, Natalie White transforms her criminal trial proceedings into performance artwork in The United States of America v. Natalie White: a performance piece on female self-representation in D.C. criminal court (January 17 - 19, 2017)

Playboy  ||  Is a Resurrection of the Equal Rights Amendment Near? "While the prosecution had spent the trial debating the merits of washable craft paint, White had used it to capitalize on the fortuitous timing of her trial date and the crackling political energy surrounding the Women’s March and Trump’s inauguration, moving her stage from the Capitol’s steps to a courtroom to shine a brighter spotlight on the ERA." April 7, 2017

Forbes  ||  Artist, Activist, and Muse Natalie White Loses D.C. Court Case But Gets The Win For Women Everywhere; "White, who surely brought a cinematic Warholian flare to the proceedings, did receive prior council from the famed D.C. first amendment attorney Mark Goldstone and the celebrated civil rights attorney Ron Kuby. Her friends and fellow women’s rights activists, Lizzy Jagger, daughter of Mick and Jerry Hall, and Academy Award winning actress Patricia Arquette were on hand to witness exchanges," Jan. 21, 2017

VICE  ||  How Natalie White Turned Her Criminal Trial into Performance Art; "After DC Capitol Police arrested White for writing “ERA NOW” in water-soluble paint on the sidewalk in front of the US Capitol Building, the feminist activist turned due process on its head by transforming her criminal trial proceedings for “defacing public or private property” into performance art advocating for the yet-to-be-passed Equal Rights Amendment (ERA)." Jan. 27, 2017

artnet News  ||  Artist Natalie White Found Guilty of Defacing Property for Painting In Front of Capitol Building; "As people prepared for the international Women’s March on January 20, artist Natalie White was in District of Columbia court. She was found guilty of defacing public/private property for painting “ERA NOW” on the pavement outside the Capitol Building last summer. White chose to represent herself, turning the trial, which ran January 17 and 18, into a work of art." Jan. 23, 2017

Bullett  ||  A Look Inside Feminist Artist Natalie White's Criminal Trial Turned Performance Art Piece; "Given the absurdity of <the criminal investigation> and the utter badass-ness of Natalie White, the artist opted to turn what would be a two-day legal ordeal into a performance piece. Representing herself, White sought to bring increased attention to the importance of an Equal Rights Amendment while shedding light on some of the nonsense embedded in our legal system. She even had a couple high-profile friends, Oscar-winning actress Patricia Arquette and model/actress Lizzie Jagger, act as character witnesses." Jan. 20, 2017

Observer  ||  Natalie White Makes Trial Into An Artwork; "Artist Natalie White has made her trial for defacing government property with the words “ERA Now” into art. The piece is called United States v. Natalie White: a performance piece on female self-representation in D.C. criminal court and took place (you guessed it!) in a court room last week. The judge pushed back on prosecutors’ request that White be banned from visiting D.C., and fined her a mere $50 for scrawling her message on the Capitol Building last summer." Jan. 23, 2017

The Washington Post  ||  Actress Patricia Arquette testified in D.C. court for friend who was arrested last summer; "Arquette was a witness for her friend Natalie White, a New Yorker who was arrested in July for spray-painting “ERA NOW” in red letters on the sidewalk on the Lower West Terrace of the U.S. Capitol Building." Jan. 17, 2017

RT  ||  Rapper B. Dolan & Activist Natalie White Join Lee Camp; "In this all new episode of Redacted Tonight VIP, Lee Camp talks with artist-activist Natalie White, who was arrested for scrawling “ERA NOW” in support of the Equal Rights Amendment in front of the US Capitol steps." Jan. 27, 2017

Swoon

Heliotrope Prints: affordable, limited-edition fine art prints with 100% of proceeds benefitting the Heliotrope Foundation's arts-based community-building initiatives in Haiti, New Orleans, and the Rust Belt town of Braddock, Pennsylvania

Playboy  ||  Killer Art for a Good Cause: The Heliotrope Foundation is a Holiday Gifting Miracle; "Caledonia 'Swoon' Curry has always taken an interdisciplinary, humanist approach to her creations, and her latest project is no different." Dec. 24, 2016

Forbes  ||  Swoon Pulls 96 Artists in Fundraiser for the Heliotrope Foundation; "This fundraising initiative, which Swoon began in 2012, has since ballooned to include an impressive and still-growing list of contributors that reads as a clear survey of the most interesting and successful artists (period) working today." Dec. 4, 2016

artnet News  ||  Gifts for the Art Lover in Your Life; "Ebony G. Patterson is just one of 96 artists featured in Swoon‘s Heliotrope Foundation limited edition art prints series ... It’s affordable art by big name artists, and all of the proceeds go to the non-profit." Dec. 16, 2016

The Light After, an immersive installation at Detroit's Library Street Collective gallery; simultaneously: Thalassa at the Detroit Institute of Arts (October 8 - November 26, 2016)

VICE  ||  Street Artist Swoon Brings a Spiritual Installation to Detroit, "Curry’s work ultimately turns her personal experience into something that an entire community can be a part of; making connections and helping people move on, whether it’s her mother, or the people of Detroit. " Oct. 17, 2016

artnet News  ||  Swoon Installation Breathes Life, and Death, Into Deserted Detroit Architecture; "In Detroit, where gentrification is a significant concern, Swoon’s prominent role in the local art community is undeniable." Oct. 18, 2016

Hyperallergic  ||  Glimpses of the Afterlife in Swoon’s New Installation; "Taken as a whole, Swoon’s cast of characters is as multicultural and diverse as Detroit itself, and it’s heartening to see the portraits of everyday folk that she started out installing, unauthorized, on the streets of New York, continuing to get due respect in a gallery setting ... While Swoon’s work travels far and wide, it seems to foster connection and accessibility wherever one finds it." Nov. 3, 2016

CultureSource ||  Fall for Swoon as She Sweeps Through Detroit; "Regardless of context, Swoon’s work is always aesthetically astonishing—her street handle seems like a self-fulfilling prophecy, for it’s hard to avoid falling for her heartfelt portraits—but even with all her recent institutional success, there remains something fundamental and powerful about encountering her imagery out on the streets." Oct. 17, 2016

The Huffington Post  ||  Artist Simulates What It’s Like To Have A Shared-Death Experience; "Swoon hopes that the exhibition, which visualizes the experience of dying as one bursting with light and love, will change the way people think about death, or at least open their minds to visions beyond the norm." Oct. 11, 2016

Blouin Artinfo  ||  Datebook: Swoon’s Site-Specific Installation for Solo-Exhibition at Library Street Collective Gallery, Detroit; "The installation is a way for the artist to understand and explore the transition between life and death through the anecdotal lenses of near-death experience and empathetic death experience. The concept originated from Swoon’s experience with what she later identified as the latter." Sept. 27, 2016

Art Nerd New York  ||  Swooning for SWOON in Detroit; “snow” covers the gallery from floor to ceiling, with intricately cut paper and Mylar, to give an ethereal sensation that is both calming and emotionally evocative." Oct. 12, 2016

Whitewall  ||  Experience Swoon's 'The Light After' in Detroit; "Hundreds of hand cut paper pieces of paper and Mylar elements covering a vast 2,500 square foot of gallery—floors, walls, and ceilings. The intricate and highly immersive “The Light After” explores the sensory aspect of the transition between life and death by site-specifically responding to the duality of the Downtown Detroit gallery’s architecture." Nov. 16, 2016

Assorted

Forbes  ||  New York Street and Installation Artist Swoon Uses Humanity as Her Most Powerful Tool; "Throughout all of her projects, from her early street art to her installations, an element of humanity and activism runs throughout." Feb. 23, 2016

artnet News  ||  Swoon Taps Swizz Beatz and Shepard Fairey for Artist-Run Beauty Salon, May 18, 2016

artnet News  ||  Here’s What Artists Have to Say About the Future of America Under Donald Trump, Nov. 10, 2016

The Dog Miami 2016

Curated by Christopher “Jillionaire” Leacock of Major Lazer, The Dog is a bar, dancehall, and art gallery rolled into one (Nov. 30 - Dec. 3)

Interior Design  ||  Standout Installations From Miami Design Week 2016; "Colorfield, a metallic hand-woven canopy of Mylar ribbon by Stephen Burks, glistened 10 feet above the Dog, a week-long pop-up space near Wynwood. Designed in collaboration with graphic artist duo Mogollon, Colorfield immersed attendees in a veil of mirrored light." Dec. 7, 2016

The Huffington Post  ||  Influencer Spotlight: Christopher “Jillionaire” Leacock; "Searching for a way to bridge the gap between the art world and the “everyman”, Christopher Leacock came up with the idea for The Dog. Similar to the Bauhaus movement, the popup, which took place during Miami Art Week, sought to inspire expression across the creative disciplines. A bar, dance hall, and gallery rolled into one, The Dog featured art by Tim Biskup, musical performances by Wild Belle and DZA, and saw over 1,700 RSVPs each night.." Jan. 11, 2017

PAPER  ||  What's Happening Thursday at Art Basel Miami Beach 2016; "Swoon and the Heliotrope Foundation host a launch reception for the 2016 Heliotrope Prints featuring Aidan Koch, Rashaad Newsome, Kenny Scharf, etc. at The Dog (1306 North Miami Avenue). The Dog also hosts several nights of art/design (Tim Biskup, Mogollon, Stephen Burks Man Made) and music (Brenmar, Craze, Peachfuzz, Gaslamp Killer, DZA, Nick Hook etc.) curated by Major Lazer's Jillionaire." Dec. 1, 2016

Miami New Times  ||  Miami Art Week 2016: The Best Things to Do During Art Basel on Wednesday; "Curated by Christopher Leacock, better known as Major Lazer's Jillionaire, the Dog is an arts and culture pop-up launching tonight at the Bar at 1306. Bacardi beverages and art installations are on the agenda, but the main draw is a different live musical act each night. Tonight, Wild Belle will take over the dancehall." Nov. 30, 2016

Time Out Miami  ||  The Best Art Basel 2016 Parties; "The Dog is billed as a bar, dancehall and art gallery rolled into one. It features an art bar by Southern California artist Tim Biskup and is curated by Major Lazer’s Jillionaire, Xavier Burt and local production outfit Poplife. " Nov. 23, 2016

SATELLITE Art Show

SATELLITE Miami Beach 2016, taking over the entirety of a retro, Miami Vice-style dive hotel, is a concept-driven alternative art fair that positions itself at the confluence of art, music, performance, new media, and technology (December 1 - 4, 2016)

Artspace  ||  Confessions of a Miami Party Monster; "Satellite Art Show was an explosion of youthful energy and creativity. Suddenly I was in an artists’ playground where each room had another experience waiting in store thanks to a constant rotation of performances. It was like running through a funhouse of exciting young art. I couldn’t force myself to leave and ended up spending my remaining daytime hours in Miami at that show ... Youthful and rebellious, the Satellite Art Show was my favorite part of the whole week." Dec. 7, 2016

Playboy  ||  Lap Dances, Tattoos and… Fine Art? Meet Art Basel’s Sexy Little Sister; "Where else can you check out a Venice Biennale U.A.E. Pavilion artist, enjoy a lap dance and leave with some fresh ink? As the fair’s director Brian Whiteley puts it: 'We believe art can be marketable and still have a soul.'” Dec. 2, 2016

Hyperallergic  ||  Miami Beach’s Satellite Art Fair Draws the Interactive into Its Orbit; "This year at Miami Beach’s Satellite art fair, I viewed art the way I might’ve as a child: excitedly and experientially. The work is fresh and innovative and interactive and smart." Dec. 2, 2016

artnet News  ||  Satellite Art Show Brings ‘More Fun’ to Miami Art Week; "The quirky art fair stood out among Miami Art Week offerings ... the fair was installation-based, with the seedy motel rooms of the Parisian transformed beyond recognition ... Where else are you going to have this much fun?" Dec. 6, 2016

The Wall Street Journal  ||  Five Artists to Watch at Art Basel Miami Beach; "... a playful vibe also imbues the 25 satellite art fairs—a record tally—that have set up shop around the city. Artist duo Jen Catron and Paul Outlaw intend to critique the profusion of satellite displays by swimming around in a makeshift bowl of cereal located outside the Satellite Art Show." Nov. 26, 2016

VICE  ||  The Most Uncanny Installations at Miami Art Week; "In Castor Gallery’s room at SATELLITE, dried palm fronds frame a silky, glowing bedroom, adorned with vintage girly mags, roses, and donuts. It’s a place for its creator, and you get to take part in, too." Dec. 5, 2016

Blouin Artinfo  ||  ‘SATELLITE Art Show’ at South Beach, Miami; "Each space at this fair offers an opportunity for visitors to collect new works of art along with experiencing art in new and unique ways ... SATELLITE 2016 will feature more than 50 international exhibitions by the most progressive organizations of current time." Dec. 1, 2016

The Financial Times  ||  Art museums heating up Miami’s cultural scene; "An artist-run, experiential affair, Satellite debuted last year as a free-roaming fair with a young crowd. This year it has settled on a centralised home and has a lively programme of events that takes in a post-feminist tattoo parlour and a queer strip club." Nov. 25, 2016

artnet News  ||  Jen Catron and Paul Outlaw Swim in 3,000 Gallons of Milk for Art at SATELLITE in Miami; "In many ways, Miami Art Week is about spectacle and making a splash, and the second edition of the SATELLITE Art Show is set to do just that." Nov. 9, 2016

Miami New Times  ||  Art Basel Miami Beach 2016 and Its Satellite Fairs Make Miami Art Week a Crazy Extravaganza; "Only in its second year, SATELLITE is the scrappy, crazy newcomer." Oct. 5, 2016

The Art Newspaper  ||  Our guide to the satellite fairs during Art Basel in Miami Beach; "Here's a breakdown of some of the more interesting projects around town ... [SATELLITE Art Show] will be the site of a continuing playful performance.Nov. 30, 2016

PAPER  ||  What's Happening Thursday at Art Basel Miami Beach 2016; "This is an artist-run and concept-driven alternative fair that includes music, performance, new media and technology. For example: They're planning a a queer strip club, a virtual reality lounge, a post-feminist tattoo parlor and after-hours entertainment in the hotel's penthouse curated by NYC alt venue Trans-Pecos." Dec. 1, 2016

Miami New Times  ||  Art Basel and Miami's Satellite Fairs Compete for the Art World's Attention; "Located in a retro, Miami Vice-style dive hotel, Satellite will feature a quirky medley of art, music, performance, new media, and technology. Guests can visit the DiMoDA — the Digital Museum of Modern Art — through Oculus Rift headsets. Or make a permanent memory at the Famousonmars Custom Tattoo Parlor, where you can get a real tat, themed with feminism and social codification." Nov. 29, 2016

Anne Spalter

Miami Marbles, PULSE Contemporary Art Fair's inaugural PROJECTS Special Commission (PULSE Miami Beach, December 1 - 4, 2016)

Billboard  ||  Art Basel Miami: 6 Events You Don't Want To Miss; "check out the site-specific installation "Miami Marbles" ... by digital artist Anne Spalter, who created images on large spheres using photos and videos of Miami." Nov. 29, 2016

Blouin Artinfo  ||  Must-See Satellite Fairs in Miami; "Heading into its 12th year in Miami, [PULSE] is debuting its first special commission from the digital arts pioneer Anne Spalter. Attendees can view her manipulated photographs and video footage, taken from events during last year’s Art Basel Miami Beach, on large-scale kaleidoscope-patterned “marbles” throughout the fair." Nov. 29, 2016

artnet News  ||  Female Artists Take Their Rightful Place at PULSE Miami Beach; "[Miami Marbles is] PULSE’s first stab at a specially-commissioned project, and it makes for a striking entryway to the fair." Dec. 2, 2016

VICE  ||  16 Must-See Shows at Art Week Miami 2016; "There’s much more to Anne Spalter’s Miami Marbles project for PULSE art fair than meets the eye ... Spalter herself is something of a Renaissance woman: she majored in mathematics at Brown University, received her MFA in painting from RISD, and founded the digital fine arts program at RISD in the 1990s. If, against all odds, the Miami art scene doesn’t provide enough stimulation this December, perhaps adding another virtual dimension, another layer of reality, will finally satisfy." Nov. 28, 2016

VICE  ||  13 Works Dominating Art Basel Online; "These thirteen pieces are the like-rockets that have been showing up over and over on the art world's Instagram feed." Dec. 2, 2016

The Huffington Post  ||  Art Basel in Miami Beach 2016: The Best Events of the Week; "Anne Spalter’s site-specific installation, Miami Marbles, are a must-see." Dec. 3, 2016

The Financial Times  ||  Art museums heating up Miami’s cultural scene; "Visitors to this year’s edition [of PULSE] will be greeted by Anne Spalter’s installation, Miami Marbles: abstract digital images of the city printed on huge orbs." Nov. 25, 2016

The Miami Herald  ||  Women Artists to Look Out For During Miami Art Week; "There will be plenty of women at the forefront of this year’s PULSE Art Fair. Among them are accomplished digital mixed-media artist Anne Spalter ... " Nov. 22, 2016

Interior Design  ||  7 Standout Installations From Miami Design Week 2016; "Anne Spalter's Miami Marbles, PULSE Art Fair’s inaugural commissioned installation, features digitally manipulated footage of Miami Beach printed on helium-filled orbs. A custom augmented reality app makes the spheres swirl kaleidoscope-style." Dec. 7, 2016

PAPER  ||  Mega-Guide to Art Basel Miami Beach 2016; "Check out the site-specific installation, "Miami Marbles," at [PULSE]'s entrance by digital artist Anne Spalter. The artist used photos and videos of the city to create abstract images on large spheres." Dec. 1, 2016

PSFK  ||  Marble-Like Mini-Worlds Invade Miami Art Week And Your Mobile Screen; "even users who’ve never stepped foot in Miami Beach can summon up the marble-like mini-worlds ... the app has expanded the longevity of Miami Marbles beyond its original intent." Dec. 6, 2016

Forbes Travel Guide  ||  Everything You Need to Know About Art Basel Miami Beach; "at PULSE Miami Beach (December 1 to 4), catch more than 70 galleries plus its first commissioned work by digital artist Anne Spalter," Nov. 30, 2016

Artsy  ||  PULSE Miami Beach 2016 Programming; "By abstracting Miami’s topography, Spalter encapsulates the vibrancy of the city within each of her expansive spheres. An augmented reality component will allow guests to engage with the orbs through an interactive interface." Nov. 18, 2016

Whitewall  ||  Your Guide to the Miami Fairs; "PULSE is debuting a PROJECTS section with “Miami Marbles”—a commission from digital artist Anne Spalter that uses photographs and video replicas of last year’s Miami Arts Week, and digitally alters and distills images of the city’s atmosphere, architecture, and foliage to create contemporary landscapes." Nov. 23, 2016

Whitewall  ||  PULSE Miami Articulates Postmodernism; "When approaching the two interfacing North and South tents, floating bubbles that seem to be retaining all the camp imagery of Miami from exploding, welcome you and set the tone for what awaits." Dec. 1, 2016

The New York Post  ||  Everything You Need to Know About Miami Art Week; "Digital artist Anne Spalter is creating an augmented-reality installation, Miami Marbles, consisting of spheres printed with abstracted city images. Use the Marbles app to make them morph and to spot other orbs throughout the fair." Nov. 29, 2016

Widewalls  ||  PULSE Miami Beach Returns Strong for the 12th Edition; "Spalter digitally alters and distills images of the city’s atmosphere, architecture and foliage to create contemporary landscapes." Nov. 29, 2016

Rug News  ||  Liora Manné Takes 'Art for the Floor' to New Heights at Art Basel Miami; "Manné takes custom floor coverings to new heights of artistry in collaboration with renowned digital artist Anne Spalter. " Nov. 30, 2016

Precession, SPRING/BREAK Art Show's site-specific lobby installation (March 1 - 7, 2016)

Forbes  ||  Today is the Last Day to View Digital Artist Anne Spalter's SPRING/BREAK Art Show Lobby Installation; "Spalter, who has a BA in mathematics and visual art from Brown as well as an MFA from RISD, seeks to make measurable and algorithmic sense in the chaos of everyday life ... There is something comforting about looking at Spalter’s work." March 7, 2016

W Magazine  ||  Anti-Armory: Scenes from SPRING/BREAK; photos 16 and 28: "Precession (2016) by Anne Morgan Spalter," March 4, 2016

Surface  ||  Instagram: "'This intervention by Anne Spalter of the James A. Farley Post Office's old Directory board is ingenious.' —Surface editor-in-chief @spencercbailey on @annespalter's work at @springbreakartshow," March 5, 2016

Village Voice  ||  Spellbinding Pieces at the 2016 SPRING/BREAK Art Show; "Artist Anne Spalter in front of her installation Precession," March 4, 2016

Paper  ||  9 Things to See This Armory Arts Week; "Check out <SPRING/BREAK Art Show's> lobby installation by Anne Spalter, founder of RISD's original digital art curriculum in the 90s," March 1, 2016

Artforum  ||  Rites of Spring: Armory Arts Week; "At the third-floor entrance <of SPRING/BREAK Art Show> were three thousand square feet of a digitally printed New York mural by Anne Spalter," March 7, 2016

Whitehot Magazine of Contemporary Art  ||  Anne Spalter's Precession at SPRING/BREAK Art Show; "Precession is a kaleidoscopic digital mandala of whirling New York ephemera," March 2016

New York Magazine / Bedford + Bowery  ||  How to See Art During Armory Weekend and Still Afford to Eat; "It seems that the installation work is what many of us will find most eye-popping at Spring/Break -- Artsy shared photos of one by artist Anne Spalter, who made use of the existing walls and mounted flat screen panels to craft a cosmic, oil-slicked playground for amoebas," March 4, 2016

Whitewall  ||  SPRING/BREAK's Fifth Installment: The Coolest Show this Week; " ... the 3,000 square foot installation is a swirl of psychedelic algorithms. ... Mixed media—including video installations on small screen panels, scattered throughout the room—find ways to tuck perfectly in between images of New York City," March 3, 2016

Gothamist  ||  Album: Spring/Break Kicks Off Armory Arts Week With A Long Line & A Kissing Closet (photo 4), March 2, 2016

Autre  ||  Allure of the Palimpsest; "<SPRING/BREAK Art Show> brings together major but decidedly confrontational artists, with exhibitions and works from Barbara Kruger, Anne Spalter (whose stunning installation will be the first thing you see in the fair’s lobby), Greg Haberny, David Shapiro ... ," March 2, 2016

Autre  ||  Fashion review: Paris Ready-to-Wear Collections 2016 (Givenchy FW 2016); " ... wild psychedelic prints, like mandala-decorated blouses and dresses that were not all that unlike Anne Spalter’s recent exhibit at Spring Break Art Show," March 10, 2016

Hyperallergic  ||  Spring/Break, a Sprawling Alternative Art Fair that Delivers; featured image: " ... Anne Spalter’s allover lobby mural Precession, curated by Elizabeth Keithline," March 3, 2016

Artsy  ||  At SPRING/BREAK, 800 Artists Tackle Technology, Ownership, and Appropriation; featured image: "Anne Spalter’s installation curated by Elizabeth Keithline," March 2, 2016

Assorted

artnet News  ||  Check Out Anne Spalter’s Trippy Vision of New York City at Fulton Center; "Pioneering digital mixed-media artist Anne Spalter will make you look at New York City with fresh eyes. Her video piece New York Dreaming, on view at the Fulton Center subway station, transforms views of the city into a psychedelic, constantly shifting vision of geometric beauty." Feb. 15, 2017

DNAinfo  ||  Brooklyn Artist's 'Kaleidoscope' of NYC Skyline On View at Fulton Center; "Brooklyn-based digital media artist Anne Spalter's "New York Dreaming" installation, sponsored by MTA Arts & Design, transforms videos of the city's iconic skyline into a kaleidoscope of moving images." Feb. 16, 2017

Hyperallergic  ||  Spring/Break Art Show Trades Labyrinthine Rooms for Immersive Installations; "Anne Spalter‘s painstaking covering of the entrance’s outer wall with 160 charcoal drawings ... although they seem similar at first glance, each work is actually unique; collectively, they visualize the rhythms of ritual drumming. Spalter created an accompanying sound piece derived from a French Polynesian fire dance she witnessed. Its soft patterings enliven the sterile atrium and introduce unseen mystery into the room." May 9, 2017

artnet News  ||  SPRING/BREAK BKLYN IMMERSIVE Is a Welcome Relief from Art Fair Frenzy; "At the entrance is Anne Spalter’s Ring of Fire (2017), a site-specific atrium installation of 800 unique charcoal drawings covering the wall. Each drawing, with its distinct marking made with an erasure, is a gaping void. Together, they create a beautiful rhythmic collection that documents patterns of gestures. The piece also includes a sound component: an recording of tribal drums inspired by the artist’s visits to French Polynesia." May 8, 2017

VICE  ||  Exploring a Huge, Glowing, Immersive Warehouse Experience at Frieze Week; "Despite the openness of the space, the show was set up in a way that two artworks were sequentially encountered by the viewer before all others. 160 charcoal drawings by Anne Spalter were tiled along the entrance of the space, acting as an "analog representation of rhythmic tribal drums" derived from a French Polynesian fire dance the artist encountered." May 17, 2017

Library Street Collective

Legendary L.A.-based graffiti writer REVOK presents SYSTEMS, a Los Angeles solo exhibition informed by the maturation of and divergence from his foundational artistic identity and prolific 26-year career in the streets (October 22 - November 12, 2016)

Playboy  ||  Meet the Artist Who Used Graffiti-Erasing Tools to Create New Work, Oct. 21, 2016

artnet News  ||  LA Graffiti Legend REVOK Crosses Over to the White Cube, Oct. 21, 2016

The Los Angeles Times  ||  Datebook: "The graffiti artist known as REVOK is exhibiting his first ever works on canvas in a pop-up exhibition in Mid-City that brings together 17 pieces informed by his work on the street," Oct. 20, 2016

Juxtapoz ||  REVOK's "SYSTEMS" in Los Angeles, Oct. 17, 2016

Blouin Artinfo  ||  REVOK's First Canvas Venture at Library Street Collective Los Angeles, Oct. 24, 2016

Mass Appeal  ||  REVOK Disrupts with Series of Anti-Paintings and Abstract Work, Oct. 31, 2016

Zahra Sherzad

The Unseen World, a solo exhibition from Tomoko Sugimoto, Japanese mixed-media artist and core studio figure to Takashi Murakami since 1996 (September 7 - 11, 2016)

artnet News  ||  Tomoko Sugimoto, Takashi Murakami’s Painting Director, Takes Time Out for Her Own Gallery Show, Sept. 9, 2016

Whitehot Magazine of Contemporary Art  ||  Tomoko Sugimoto Unveils New Embroidery Works in NY, Sept. 2016

Blouin Artinfo  ||  Datebook: Tomoko Sugimoto’s New Body of Work Showcased in New York, Sept. 9, 2016

Art Zealous  ||  Japanese Identity Is Woven Into Tomoko Sugimoto’s “The Unseen World,” Sept. 9, 2016

Guest of a Guest  ||  Tomoko Sugimoto: The Unseen World, Sept. 8, 2016

Art Nerd New York  ||  From Takashi Murakami to The Unseen World: Tomoko Sugimoto, Sept. 7, 2016

Lepore Savage Gallery

In Bloom, an exhibition launching the gallery's expansion to Amagansett (July 9 - 17, 2016)

Blouin Artinfo  ||  Lepore Savage Gallery, Art in a Town House and by the Sea, July 14, 2016

Forbes  ||  Nanette Lepore and Bob Savage Bring the Lepore Savage Gallery Concept to The Hamptons, July 19, 2016 

artnet News  ||  Must-See Art Guide: The Hamptons, July 7, 2016

Whitehot Magazine of Contemporary Art  ||  In Bloom: An Interview with Nanette Lepore and Bob Savage, the Fashion and Art Couple Behind Lepore Savage Gallery, July 2016

Blouin Artinfo  || Instagram: "Nanette Lepore with Robert Savage and daughter Violet Savage at Lepore Savage Gallery, an alternative art space that expands to their Amagansett home this weekend with 'In Bloom' ...," July 8, 2016

Rose is a Rose (inaugural exhibition), October 2 - November 1, 2015

T: The New York Times Style Magazine  ||  Nanette Lepore Opens an Art Gallery — and Her Home — to the Public, Oct. 1, 2015

Vanity Fair  ||  Nanette Lepore Turns Her Living Room—Yes, Her Actual Living Room—into a Public Art Gallery, Oct. 2, 2015

artnet News  ||  Fashion Designer Nanette Lepore Opens an Art Gallery in Her Posh West Village Townhouse, Oct. 2, 2015

Forbes  ||  Fashion Power Couple Nanette Lepore and Bob Savage Convert Their Home Into Lepore Savage Gallery, Oct. 5, 2015

Travel + Leisure  || Nanette Lepore’s New Art Gallery is in Her Living Room, Oct. 5, 2015

Vanity Fair  ||  Culture List for the week of September 30, 2015; "Every week in Culture List, Vanity Fair editors present a ruthlessly curated selection of parties, art openings, exhibits, and mustn’t-miss events..."

Brian Andrew Whiteley

The Legacy Stone, Central Park, Easter morning 2016

The New York Times  ||  Artist Behind Donald Trump Gravestone in Central Park Steps Forward, May 10, 2016 (Print: May 11, page C1)

The New York Times  ||  Trump Headstone in Central Park: Mystery Solved, May 9, 2016 (Print: May 10, front page below the fold; cont'd page A18)

ARTnews  ||  Matters of Life and Death: Brian Whiteley Retrieves His Trump Tombstone from the NYPD, July 20, 2016

VICE  ||  Donald Trump's Gravestone Is "Not a Death Threat," April 4, 2016

Esquire  ||  The Artist Who Planted a Trump Tombstone in Central Park Explained Why He Did It, April 3, 2016

Hyperallergic  || The Artist Behind the Trump Tombstone Explains Their Intentions, April 5, 2016

Bullett  ||  Chatting with the Anonymous Artist Behind that Donald Trump Tombstone, April 12, 2016

Gothamist  ||  How A Brooklyn Artist Allegedly Snuck Trump's Tombstone Into Central Park, April 2, 2016

Oliver Clegg

Life is a Gasssss at Erin Cluley Gallery (April 9 - May 7, 2016)

Forbes  ||  Artist Oliver Clegg Steps into the Spotlight to Share Ideas at Dallas Arts Week; "UK-born and Brooklyn-based painter and conceptual artist Oliver Clegg ... has been building one of the most impressive and important bodies of work in the entirety of the art world for over 10 years." April 4, 2016

Autre  ||  Life's a Gasssss: An Interview with Oliver Clegg; "The sculpture, along with much of Clegg's work, is a statement on our culture’s addiction to information and subsequent information overdose." April 11, 2016

Bullett  ||  More is More at the Dallas Art Fair; "Oliver Clegg’s painting of a deflated Bart Simpson, among other popular characters, at his solo show at Erin Cluley Gallery." April 21, 2016

Artforum  ||  Scene & Heard for Dallas Arts Week 2016; "A more creative party came in the form of artist Oliver Clegg’s rotating table sculpture for dealer Erin Cluley’s dinner, changing positions every twenty minutes and providing a welcome reprieve from unideal seating assignments." April 22, 2016

Denis Gardarin Gallery

UNTITLED Miami Beach, December 1 - 6, 2015

Observer  ||  8 Must-See Satellite Art Fair Booths in Miami: We chose 8 out of one-hundred-trillion-zillion, Dec. 1, 2015

W Magazine  ||  The Best of Art Basel According to SCAD's Paula Wallace, Dec. 4, 2015

Forbes  ||  Antwerp-Based Artist Joris Van de Moortel Collides Object and Sound at UNTITLED Miami Beach, Nov. 30, 2015

Blouin Artinfo  ||  Instagram: "Don't miss Belgian intermedia artist Joris Van de Moortel's first U.S. solo show at UNTITLED Miami Beach...," Dec. 1, 2015

Blouin Artinfo  ||  Gallery: Highlights from UNTITLED Miami 2015, Dec. 2, 2015

Blouin Artinfo  ||  Instagram: "Spotted in the back room of Denis Gardarin's UNTITLED booth...," Dec. 4, 2015